AURGANIC: Distant Echoes & Close Encounters

Aurganic is an experimental electronic/alternative studio project of two long-time friends Michael Kossov and Leo Pisaq. Originally high school classmates, they were members in a number of local punk rock bands until life and distance separated them for a number of years. They reconnected musically in 2010 finding a lot of common ground. This time it was electronica, art rock, and jazz that dominated the ideas. The reunited duo recorded instrumental sessions in New York and worked on their completion via internet resulting in a self-titled EP. Rooted in friendship, the project proved its longevity with four independent releases to date. Hailing from the Toronto/New York area, Aurganic’s sound revolves around experimental electronic elements blended with rock, post-rock, progressive rock and indie rock ingredients.

“Signs” has multi-layered vocal harmonies, intelligently placed electronics, and some crunchy guitar drives and starts off the album on a definite high. “Empires” has a Muse feel to it, but without sounding like a copycat with the electronics and guitars creating a great mix that makes the track stand out. “Invincible (In The Shadows)” has strong harmonies and continues the high quality of the previous songs. “Levitate” is a fantastic electro-pop song and is one of the best tracks on the album filled with great tracks. “Distant Echoes” has a slow melodic vibe that gives a nice change to the album, and also has great guitar playing. “Shaman” is a ballad with vocals electronically treated, acoustic guitar and very able drumming. The closer “Close Encounters” is an all-instrumental track that shows off the progressive leanings of the band and makes for a great ending to a fun album.

With various styles and textures, this album really gives the listener something to sink their teeth into and an exciting listen that makes you want to hit the play button again. Go out and give your ears a treat and pick this one up.

Also posted at: http://ripplemusic.blogspot.com/2017/10/aurganic-distant-echoes-close-encounters.html

https://www.aurganic.com/

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PATRICK GRANT: A Sequence Of Waves (Twelve Stories And A Dream)

Patrick Grant is originally from Detroit, now living in New York City, he studied at the world-famous Juilliard School and worked with Billy Joel and Quincy Jones on an international project for the Millennium, and in his work with Robert Fripp (King Crimson, Brian Eno, and David Bowie) & The Orchestra of Crafty Guitarists. The musicians on the album include Patrick Grant on guitar, bass, viola, piano, keyboards and percussion; John Ferrari on drums, mallet instruments and percussion; Nick Didkovsky on guitar; Dan Cooper on 7-string electric bass; Lynn Bechtold on violin; and Dan Barrett on cello.

A thirteen track, all instrumental album that has many moods and feels, like a soundtrack to an exciting movie that you want to keep listening to. With some rock, classical and progressive, you have a mixed bag with more choices than going out to a buffet. “Lucid Intervals” opens the album with strings, chimes and hand drums and sets you off on a great start. “Driving Patterns” has great electric guitar playing, piano, peppy percussion, and a fun drum beat. “Seven Years At Sea” has a field recording of echoed and looped vocals from the Hoffpauir sisters (Elita, Mary, and Ella), which was recorded in Louisiana in 1934. I have only touched on a few tracks here, but really, you can’t go wrong when you hit play, just pick a track and it will thrill you and take you away on an exciting trip.

Grab a copy and visit somewhere else, a place you may not have any idea where or when it is, but you will definitely enjoy the trip. A collection of songs that will keep you coming back for more and listen to over and over again, and keep a smile on your face at the same time.

Also posted at: http://ripplemusic.blogspot.com/2017/10/patrick-grant-sequence-of-waves-twelve.html

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MATT CHANWAY: Self-titled

Coming from the death metal band Assimilation, Vancouver, BC’s Matt Chanway has his debut self-titled solo record out now that has hints of his day-job band in it. The one major difference between the two projects is that this solo album is all instrumental.

I will be honest, instrumental albums are far from my favorite things to listen to, mostly because I love hearing vocals, something to grab a hold of and keep my interest throughout, but with that said, I did still enjoy this album. This is a bit more in the progressive sound, but still straight up metal, no Pink Floyd noodling here, plus no guitar wankering like Malmsteen. Each track on here ranges from roughly six to eight minutes in length and has enough changes in the songs to keep things sounding fresh and interesting. The added drums (drum machine) and bass really help to keep things flowing and giving the album a depth and thickness. All of the playing is tight and extremely focused with the songs not going on for too long or becoming boring. You can hear the love of playing the guitar that emanates from the fingers of this extremely talented player with song after song of thrills and heavy shredding. I actually liked all the songs the same on this release, mostly because they were tight, heavy, interesting and energetic, and without a vocalist that sometimes can ruin a good album with weak or over-the-top histrionics.

Yes, I did enjoy an instrumental album, luckily the technicality wasn’t overbearing, the songs were engrossing, and the guitar was played with heart and pure talent. This is not an album just for shredders, it’s for anyone who wants an album of great metal that will get your head banging and wear your air guitar out.

Also posted on: http://ripplemusic.blogspot.com/2017/03/matt-chanway-self-titled.html

https://www.facebook.com/mattchanway/

http://mattchanwayguitar.com/

https://mattchanway.bandcamp.com/releases

RED MORRIS: Lady Rose

Italian guitarist Maurizio Parisi has dedicated his eight song debut album to his wife Rosa. The talented guitarist is joined by drummer Claudio Amadori, keyboard player Beppe Premi and bassist Renato Mombelli. This album is the realization of a long-held dream, a dream that began to form during Parisi’s childhood, where a fascination for music and rhythm slowly became the obsession it now is.

As you might be able to figure out from reading the above section, there is no vocalist given because this is an instrumental album, there is a small vocal appearance on “Mystery” by Lou Longoni, but it really is just a small piece that it really doesn’t count as a vocal track. The music is a fusion of hard rock structures, Latin rhythms, and jazz; but highly influenced by big names like Pink Floyd, Led Zeppelin, Cream. The guitar playing is amazing, with just the right amount of flash and no going crazy up and down the scales like some guitarists do……..Malmsteen anyone? The songs are actually catchy, even with the lack of vocals and the rest of the band are also quite good, playing with heart and feeling.

You can hear that Parisi has put his all into this album, his dreams and talent are on display and he has you from the first song rooting for him. This is the sound of a man fulfilling a dream, a dream long time in coming and done with love.

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