THE BASEMENT PAINTINGS: Antipodes

The Basement Paintings from Saskatoon, Saskatchewan got together in the winter of 2011 and quickly got to work recording a full-length debut album which was released in March of 2013. The follow-up EP, titled Time Lapse City was released in March of 2014, and their next release was Mystic. The band has a mix of progressive rock, metal, experimental, and post-rock sound that they manage to pull off quite well.

The songs are all instrumental and at times have a touch of Tool in sound, but never enough to make them a copyist, just like adding a touch of salt to your food; it seasons it enough to make it tasty. This band has a lot of talent, they play with such precision and with feeling that you can close your eyes and just nod your head along to the tracks and drift away. Not saying that there isn’t some metal crunch, but the songs just flow so beautifully that you get into a trance-like state listening to it. All of the tracks except one, are all over eight minutes long, the last track is a whopping fifteen minutes long, so make sure that you have the time for this.

With such lengthy tracks, the band has a chance to go places with the listener that they wouldn’t if they were cut shorter in time. Grab a drink, pull up a chair and go on a long journey with these guys and see where you land.

http://www.thebasementpaintings.com/

https://www.facebook.com/pages/The-Basement-Paintings/140222956134635

https://thebasementpaintings.bandcamp.com/

THE KISS THAT TOOK A TRIP: Garlands

Formed in Madrid in 2006, The Kiss That Took A Trip is the brainchild of M.D. Trello, who stands as the sole member. Since its inception, He has been regularly putting out self-made releases, with the EP Dating Aphrodite (2008) and the albums, Worst Case Scenarios (2009), The Dummy Family (2011), How The Mighty Have Fallen (2012), Electroforest (2014), Electroforest (By Night) (2015), Happiness In The Presence Of Sadness (2016), and Punk Cathedral (2017). This is a mix of experimental, shoegaze, alternative rock and post rock and works together pretty well.

“Copernicus” starts things off with a cool shoegaze sound that really was a throwback to the ‘90s when that was popular, but didn’t sound retro at all. “Whoever Hurt You Has My Sympathy” is another great track that has a woman throughout fighting against someone. The track is a mid-paced groover that really stands out. “The Hays Code” is an overlong instrumental track that could be good if restraint was implemented.

All-in-all, not too bad of a collection of songs that vary from track to track, and will definitely catch your ears. I’m looking forward to checking out more of his music in the future.

http://www.thekissthattookatrip.com/

https://www.facebook.com/thekissthattookatrip/

NEGATIVEHATE: Solipsis

Negativehate began in 1995 and have had a lot of ups and downs and especially lineup changes, but the one thing that remained after all of this was the guarantee of music that is challenging and full of emotion and talent. Based in Monroe, NY the band is comprised of Mike Stewart (keys, vocals), Eric Stewart (bass), Chuck Scandura (guitar, vocals), Sergio Sanchez (drums), and Freedom Scheyd (guitar, backing vocals).

The music is a mix of many styles; ambient, prog rock, alternative, and post-metal, but it all seems to work in their favor creating a sound that will astound and confound in places. The songs are mostly long and do have meandering parts like “The Expansion of the Universe (via magnification of the infinitesimal)” does, but you find yourself just going along and floating during those moments and then when it gets heavy and the growled, almost death metal vocals come in, it fits perfectly. The songs on the album are conceptualized after a story of the same name also written by the band, so it has a definite meaning to it and actually makes for a great listen. This is not an album to throw on and party along to, unless you have really weird parties….and I want to party with you! This is one of those listen to it in one shot to get the full effect of the music, even though you will find tracks that stand out more for you like I did with “The Expansion of the Universe (via magnification of the infinitesimal)”. The songs do flow from one to the next without a lot of difference between them, but that’s not a complaint, it just makes the whole thing work in ways that most just can’t seem to do.

Give your ears a treat and freak them out a bit with the time changes, vocal variations and other non-traditional sounds on here and let them grow and evolve into something better than just holes where sound goes in, but turn them into something special and lovely, but demented at the same time. A great listen and one that just seems to get better the more I listen to it.

https://www.facebook.com/pg/NEGATIVEHATE

https://negativehate.bandcamp.com/

AURGANIC: Distant Echoes & Close Encounters

Aurganic is an experimental electronic/alternative studio project of two long-time friends Michael Kossov and Leo Pisaq. Originally high school classmates, they were members in a number of local punk rock bands until life and distance separated them for a number of years. They reconnected musically in 2010 finding a lot of common ground. This time it was electronica, art rock, and jazz that dominated the ideas. The reunited duo recorded instrumental sessions in New York and worked on their completion via internet resulting in a self-titled EP. Rooted in friendship, the project proved its longevity with four independent releases to date. Hailing from the Toronto/New York area, Aurganic’s sound revolves around experimental electronic elements blended with rock, post-rock, progressive rock and indie rock ingredients.

“Signs” has multi-layered vocal harmonies, intelligently placed electronics, and some crunchy guitar drives and starts off the album on a definite high. “Empires” has a Muse feel to it, but without sounding like a copycat with the electronics and guitars creating a great mix that makes the track stand out. “Invincible (In The Shadows)” has strong harmonies and continues the high quality of the previous songs. “Levitate” is a fantastic electro-pop song and is one of the best tracks on the album filled with great tracks. “Distant Echoes” has a slow melodic vibe that gives a nice change to the album, and also has great guitar playing. “Shaman” is a ballad with vocals electronically treated, acoustic guitar and very able drumming. The closer “Close Encounters” is an all-instrumental track that shows off the progressive leanings of the band and makes for a great ending to a fun album.

With various styles and textures, this album really gives the listener something to sink their teeth into and an exciting listen that makes you want to hit the play button again. Go out and give your ears a treat and pick this one up.

Also posted at: http://ripplemusic.blogspot.com/2017/10/aurganic-distant-echoes-close-encounters.html

https://www.aurganic.com/

https://www.facebook.com/Aurganic/

STERILE JETS: No Gods No Loss

The band featuring singer/guitarist Robert Bly Moore, singer/bass player Wm. Partnoff and drummer GS Bean is a true democracy. They compose and arrange every song to bring out its best elements, delving deeply into punk, post rock, jazz and metal, with stimulating side trips into rockabilly, grunge and even pop. The noisy songs are very similar to what SST Records was putting out in the mid ’80s after they went away from straight punk rock and into more avant-garde music.

The songs are pure noise-filled hellions that challenge the listener with a complete lack of clarity and clean sounds, instead you get an album of intensity and insanity that nowadays is so refreshing since no one really does this anymore. You have touches of John Lydon, Cheech Marin doing his Alice Bowie character, and Jello Biafra in the singing with the inflections that are sometimes all in the same song. The anger and bitterness are like a kick in the groin throughout and really adds to the filthiness of the mix. “Piss On Your God” is a swirling tempest that grabs you and won’t let you go, not that you would want it to because it’s one hell of a ride and one of the greatest songs on here. The playing is sloppy, the vocals are crazed, noise, noise, noise, and the band playing like they are trying to destroy their instruments just make for a debauched and amazing journey.

Put this album on and piss off your family, open your windows and piss off the neighbors, but you will love every second of it, both the music and making people crazy. This kids is what punk rock was blending with back in the old days and very few managed to get it as right as these guys do.

Also posted on: https://ripplemusic.blogspot.com/2017/04/sterile-jets-no-gods-no-loss.html

http://sterilejets.com/

https://www.facebook.com/UpTheJets/

http://sterilejets.bandcamp.com/