MOTORHEAD – No Sleep ‘Til Hammersmith Expanded 40th Anniversary Edition

The arguably, best live album of all-time has been remastered and expanded with five bonus tracks on the first disc (three of which are previously unreleased from a sound check) and features three previously unreleased full concerts from this tour: Leeds Queen Hall (28/3/81) and both nights from Newcastle City Hall (29 & 30 March). The box set includes 28-page book, poster, plectrum, tour pass, ticket, flyer & badge.

So here we have an album that as soon as I saw the advertisement in CREEM magazine for it, I wanted it…badly. It took me a lot longer than I wanted it to for me to get the album, but man, was it worth it! It was and is amazing all the way through from start to end. The sound of the remaster has improved the clarity and power of this terrific album. The three previously unreleased full concerts from this tour are just as amazing and could have been released to acclaim back then. The shows are blistering and it sounds like Lemmy’s throat is being ripped out, but back then, this band was unstoppable and Lemmy would take no prisoners. No matter how many live albums Motorhead has put out, nothing will beat this for pure destruction. My brother was listening to the radio during this time and the station had a Motorhead show live on the radio, and on TV at the same time in a simulcast and it blew me away, just like this collection does. The booklet with its pictures and information is great, and the other items are fantastic, a great addition to the package. A band at the height of their powers, playing like the world was ending and they had to make a final statement…it didn’t end, but what a statement they made. Thanks boys, ya done good.

https://www.bmg.com/de/artist/sanctuary-records

https://www.facebook.com/BMG.NorthAmerica/

https://www.facebook.com/OfficialMotorhead/

MOTORHEAD – Ace of Spades (Box Set / Ltd Ed)

What we have here is the mammoth 40th anniversary release of one of the most iconic albums of all time, and arguably, the best Motorhead album, Ace of Spades. The thought that this would be as amazing of a collection is hard to fathom, but it truly is a work of art.

You get the Ace Of Spades album on vinyl, half-speed mastered and created from the original master tapes, two double-live albums of previously unheard concerts from the Ace Up Your Sleeve tour, a 10” EP of previously unreleased, instrumental tracks from 1980, a double album of B-sides, outtakes and rare tracks, a DVD compilation of rare TV appearances from 1980-81, a live concert from 1981 and a 5.1 audio mix of the original album, plus a 40 page book telling the story of Ace Of Spades through previously unpublished interviews with the people that were there, a reproduction Ace Up Your Sleeve tour program, a reproduction Motörhead Rock Commando comic, and a set of 5 poker dice that can be played on the game board inside the box set lid. Holy hell…what a collection of awesome!

Starting with the original album, you can hear the cleaned up, and louder sounding tracks that are now even more ear-blistering than before. You wouldn’t think that this would make a difference, but it truly has. The blood, sweat and tears that this band put into this album has never sounded this intense and will bring an extra head bang out of you. The two live albums are just a terrific addition to the set, with the new at the time songs, mixed with older tracks becoming head crushing and both hold up to the awesome No Sleep Till Hammersmith album. Although recorded on the same tour, they are both a welcome addition to the live collection of albums that they have recorded. The instrumental tracks and the B-sides, outtakes and rare tracks are a fantastic dip into some stuff that you might not have heard too much before and really show that they were trying to find some cool stuff to give the fans. Hearing Motorhead without vocals is a different experience and the addition of the St. Valentine’s Day Massacre EP is always great to have. The alternate takes of songs that you know so well are also very interesting to see where they started from and what the final mix became.

Jumping from the music, into the other items included is also a lot of fun. The DVD compilation of rare TV appearances from 1980-81, a live concert from 1981 and a 5.1 audio mix of the original album is a nice thing to include. The TV appearances are always a treat since you can tell they really were having a lot of fun doing them, and the concert is something that you will love to watch to be able to see the classic band all together and ripping the songs out. The 5.1 audio mix is also nice for those with that set up; it really immerses you into the inferno of the album.

The 40 page book telling the story of Ace Of Spades through previously unpublished interviews with the people that were there, a reproduction Ace Up Your Sleeve tour program, a reproduction Motörhead Rock Commando comic, and a set of 5 poker dice that can be played on the game board inside the box set lid are really cool and I devoured the book, finding out a lot that I didn’t already know. The tour program and comic were interesting to see since I never had these items in my collection before, and the dice and game are a great added bonus. I also really liked the cardboard replica bullet belt that wrapped around the box set…so cool!

With the band having all passed away, this is a fantastic way to remember them and enjoy an album that has held up and gotten better through the years. The only complaint is that I would have liked a download code for the music, but I’m still happy that this is out there; giving the fans something worthwhile from a band that is just as classic as this album. Long Live Motorhead!

https://www.bmg.com/de/artist/sanctuary-records

https://www.facebook.com/BMG.NorthAmerica/

https://imotorhead.com

https://www.facebook.com/OfficialMotorhead/

KILLER: Volume One, The Mausoleum Years 1981-1990

Whilst the “New Wave Of British Heavy Metal” movement of the late 1970s and early 1980s was raging just across the English Channel, Belgium was fomenting its own highly influential rock and metal scene, at the forefront was Killer. The power trio was founded in 1980 around lead guitarist and vocalist Paul Van Camp, Fat Leo on drums and Spooky on bass guitar and vocals, they released their debut album Ready For Hell on WEA Records. At the end of 1981, Fat Leo was replaced on drums by Double Bear for 1982’s Wall Of Sound album, which saw Killer making a greater impact beyond Belgium. Killer’s management formed the metal label Mausoleum Records, and Killer recorded the Shockwaves LP. The band disbanded in early 1987, with Paul Van Camp releasing his self-titled solo debut the same year. Spooky and Shorty decided to start Killer again in 1989, but with new drummer Rudy Simmons and a second guitar player, Jan Van Springel. Their fourth album, Fatal Attraction, was recorded in Germany and released by Mausoleum Records in 1990. Partly due to the growing popularity of grunge, Killer decided to call it a day in 1991. Killer would reform later in the decade, and were proud to release their seventh album, Monsters Of Rock in 2015, in time to commemorate the band’s 35th Anniversary. With great sound, bonus tracks and a great booklet telling the band’s story, this is a great release that shows the reach and influence NWOBHM had.

A band that only hardcore metal fans really know about, these guys, that are influenced by Motorhead, have left a legacy of great music that can now be enjoyed by more people. With their albums long deleted and going for some crazy prices, this is the perfect time to jump in and take a listen to what you may have not had a chance to hear before. Lots of great tracks, catchy choruses, and tight playing, this is the real deal metal. You get bonus tracks that are definitely a bonus, not just extra tracks that they tacked on because they found some crap sitting in the vaults. The bonus tracks on CD1 are “From Nine To Five,” “Too Wild To Tame,” “Crazy Circus” and “Chinese Woman.” The bonus track on CD2 is “Walls Of Hell.” The bonus tracks on CD3 are blistering live versions of “Shock Waves,” “Scarecrow,” “In The Name Of The Law” and “Kleptomania.”

I put this on, turned up the volume and this just blew me away with the raw power, the raging tunes and the actual enjoyment that came through. This is an essential purchase that will add some old-school metal to your collection and make you a believer that not only the UK had some great bands back in the early 80s.

https://www.facebook.com/groups/398215435231/

http://users.telenet.be/4-killer/

https://www.cherryred.co.uk

https://www.facebook.com/CherryRedRecords/

WE ARE THE CATALYST: Predators

 

We Are The Catalyst

This Swedish metal band has released a new song that is darker and heavier than what they have done in the past, this is a taste of the new album that they are looking to release soon. They were formed in November of 2012 and the name “We Are The Catalyst” is meant as encouragement to overcome and challenge the darker parts of ourselves and others, to invite the listeners to keep fighting in a rough and dark world, and try to encourage them to be their best self, even when it might seem hopeless.

The song is tight, played with power and energy and the emotive vocals are amazing. The song is a definite treat for fans and for those looking forward to the new album; this is something that makes me want to hear it. This is not some boring or contrived crap, this is a hard-hitting example of modern metal with female vocals that aren’t your typical operatic or wispy junk, the vocals are strong and the band just kills it.

Coming as a preview of their new album, this will blow you away and make you want to go get that new album. The band just seems to be getting better with every release and will soon be blowing up big all over the place.

Also posted: http://ripplemusic.blogspot.com/2018/11/we-are-catalyst-predators.html

http://www.wearethecatalystofficial.com/

https://www.facebook.com/WATCofficial

https://watcofficial.bandcamp.com/

http://www.ferocityrecords.com/

The League of One: Dispatch

This band from Regina, SK Canada was formed back in 2003 when founding member Will Maeder (guitars/vocals) teamed up with Tracy Gerlach (bass/vocals) and Eric Gherasim (drums). Murray Sokoloski “The Rev” (bass/vocals) replaced Tracy in 2005 and Bill Grant (drums) came aboard in 2009. The lineup has remained static since. Playing hard rock/heavy metal, the band has been getting more and more press as they put out more music.

Singer and guitarist Will Maeder put a lot of emotion into the songs and you can really hear the love that he has for these songs. The rest of the band plays tight and with a thick sound that is also quite catchy with lots of riffs that will keep the air guitarists happy, great bass lines and a pounding drumbeat that never gets carried away. The songs are of a high quality and will have you head-banging and singing along. Starting with the blazing “Wax Museum,” the band gets right into the business of showing you that they can rock out with the best of them. The crowning achievement to this album is the longest track at over nine minutes long, “Koolaid And Bug Burgers.” The track is quiet, heavy, loud has elements of the Doors and even “Earache My Eye” by Cheech and Chong in the guitar playing. I love this track and had to hit the replay a couple of times.

If you are looking for something that hearkens back to classic rock and metal, this is what you need to get in your hands and into your ear holes. I am looking forward to hearing more from my fellow countrymen in the future.

https://www.facebook.com/lileverecords/

https://www.theleagueofone.com/

https://www.facebook.com/theleagueofone/

https://theleagueofone.bandcamp.com/

VAJRA: The Mirror: Single

vajra

This band from New York plays a mix of what they call Gypsy Metal, and also contains East Indian sounds, Hard Rock, Psychedelic, Metal, and Progressive all mixed together. They have just released a new single from their forthcoming CD, Irkalla (released Fall 2017) which is the first in a series of three EPs called the Trilogy Series.

The song has a few gentle parts that get harder and heavier, and then there are parts that are completely bombastic and just blow your hair back. The mix of the different music styles, including the East Indian sounds really work together to create a unique sound. The playing is exemplary, with a tight arrangement, great production, thick bass, driving drums, blistering guitar playing and such amazing vocals that I had to hit repeat a few times. The song is catchy, and very memorable, a very good sign for their upcoming EPs.

Take a look at their cool video for the song, then go and buy it and play the hell out of it. Get ready for something great from this band, they have the talent and with quality of this high standard, they are going to keep rising.

http://www.thevajratemple.com/

http://www.facebook.com/vajratemple

https://vajratemple.bandcamp.com/

SAINT BLASPHEMER: Theotokos

This band from Santa Ana, CA is comprised of Thomas Monroe (vocals), John Castellon (guitar), Steve Shell (bass), and Steve Ybarra (drums). They’ve been playing shows since February 2016 and have two releases out now with Theotokos being the newest.

The band has a ‘90s alternative sound to them, but not enough to make them sound retro or tired, more like familiar, which is good since being a new band, having that sound, makes you think that you’ve known them a long time. They have a very sexy and cool swagger to their music, kind of walking in and knowing that they’re right and about what they’re doing, not that stupid “swag” that kids think is hip nowadays. The band is tight, the vocals are clear, crisp and full of energy and don’t overpower the music, matter of fact, everything is mixed perfectly and has more than enough juice to light up a city, not to mention your ears. The mix of alternative and metal work together far better on here than on most of the other albums that I’ve heard try to mix it up; usually, it becomes a battle of which one takes over the song/album, but these guys temper the mix perfectly. The more that I listened to this album, the more that they reminded me of Jane’s Addiction, mostly in the music, not the vocals so much, but not to the point of being copyists.

If you have a soft spot for ‘90s music, or just want to hear a band that has their shit together and can play the hell out of their instruments with feeling and conviction, then you need to grab this one. If they keep on this path, there is no doubt that people will catch on and they will become powerhouses.

http://www.saintblasphemer.com/

https://www.facebook.com/saintblasphemer/

https://saintblasphemer.bandcamp.com/

Also posted on:

http://ripplemusic.blogspot.com/2017/06/saint-blasphemer-theotokos.html

TOKYO BLADE: Knights Of The Blade: 4 Disc Box Set

tokyo-blade-box

Tokyo Blade originally formed in 1982, releasing their self-titled debut in 1983. They formed around guitarist Andy Boulton, he was joined on their debut by Alan Marsh on lead vocals, John Wiggins on guitar, Andy Robbins on bass and Steve Pierce on drums, making a significant impact on the burgeoning NWOBHM scene that had been popularized by Iron Maiden, Saxon, Tygers Of Pan Tang and Def Leppard, as well as finding support in the pages of Kerrang! magazine. This release consists of a four Disc box set of their first three albums, many rare EPs, singles and non-album cuts from the early 1980s, including tracks from “The Cave Sessions”, “Undercover Honeymoon” 12”, “Midnight Rendezvous” EP and “Madame Guillotine” EP. Featuring lengthy and detailed liner notes from note NWOBHM and Tokyo Blade expert John Tucker

Tokyo Blade issued their debut recording in 1983, which was self-titled in the United Kingdom, and titled Midnight Rendezvous everywhere else. The album is classic metal with high-pitched vocals that aren’t too far into the stratosphere like some bands, they are a nice mix of highs and mid-level, the guitar rips throughout the album, the drumming is powerful, and the bass is heavy. The band really sounds like they were having a great time n the studio making this album, with youthful exuberance just dripping from the songs. The songs are catchy and should have been playing out of everyone’s speakers loud. I really liked “Powergame,” “Break The Chains, ” Killer City,” “Liar,” and “Sunrise In Tokyo.” For a first album, you don’t get much better than this.

The Night Of The Blade album arrived a year later, Andy Wrighton having replaced Robbins while Marsh had also left the band. The band was trying to find a new singer for their tour and got lucky with what was supposed to be the temporary throat of Vicki James Wright, but they decided to keep him as singer for the next album. His vocals were a bit more commercial sounding, but the songs were still hard and heavy. Again, the band played tight and really matured since their first album. Songs “Someone To Love,” “Night Of The Blade,” the killer “Rock Me To The Limit,” “Love Struck,” and the more commercial sounding “Lightning Strikes (Straight Through the Heart),” stand out after all of these years.

Blackhearts & Jaded Spades retains the power and singer from the previous album and sounds a bit more polished, but not wimpy. You could hear the band moving towards the huge American market with the added keyboards and more melody than on previous albums. Who can blame them? The market in America was something that pretty much every band wanted to break in and tour and be played on MTV during this period. The hard and heavy stuff was more on underground radio and bands knew where the money was; playing more melodic, adding a touch of keyboards and making the band more in tune with the big bands at the time like Iron Maiden, and Motley Crue. “Dirty Faced Angels,” “Make It Through The Night,” “Always,” are a trio of killer songs, “Loving You Is An Easy Thing To Do” is a blues based track that has a fantastic groove and should have been huge on the radio, “Undercover Honeymoon” gets things back a little heavier, then you get the power ballad “You Are The Heart,” which I could see being thrown in the mix at a high school dance back then, “Blackhearts And Jaded Spades,” “Tough Guys Tumble” get the hard rocking going again, until you come to another power ballad, “Dancing In Blue Moonlight,” which now starts to be a little much, and happily, they end the album with two blistering songs “Playroom Of Poison Dreams,” and “Monkeys Blood.” Not perfect, but still a great album that has more than enough metal to make you happy.

The fourth CD is a nineteen track collection of the band’s singles and EPs.  All of these songs were previously issued on the band’s various reissues, and it’s great to have them all together on a separate disc. This ably illustrates the musical evolution Tokyo Blade underwent from the start of the career, until their third album. Going from a harder sounding band to a more slick and commercial sound, while still retaining the great songs and playing that made you pick up the first album.

With the great liner notes, replica album sleeves and the fantastic music on the four discs, you really can’t go wrong with this purchase. The band definitely is on fire on these albums and even though they still are putting out albums now, the young, hard-edged sound of their hunger is a treasure to behold.

https://www.facebook.com/TokyoBladeOfficialFanPage/

http://www.tokyoblade.com/

https://www.cherryred.co.uk/

https://www.facebook.com/CherryRedRecords/

DANIEL LIONEYE: Vol III

 

Daniel Lioneye was formed in 2001 and originally consisted of HIM members Ville Valo on drums, Mige on bass and Linde on guitar and vocals. They released one album that year called The King Of Rock ‘n’ Roll, which was only released in Finland and Germany. The title track ended up being the theme song for Bam Margera’s TV show, “Viva La Bam.” In 2008, Linde felt the need to do another Daniel Lioneye album and wanted it to be completely different from the last, and put out VOL II. After 8 years Daniel Lioneye is now back with a third album Vol. III.

The album is a mix of heavy metal, black metal and progressive rock that works perfectly together. With all of these different styles on here, there is a song for everyone and the beauty of it is that the music flows so well between the styles of music. No style takes over, no style swamps the senses, it just seems to be a collection of great songs that they came up with. The playing is impeccable, tight, emotional and the songs are catchy, not in a pop music way, but they latch onto you, get stuck in your ears and become a part of you. The guitar playing has got to be heard with riffs coming at you at every turn and being some of the slickest playing I’ve heard in a long time. The entire band sounds like they are playing their hearts out and really tried to give the listener something different from past albums, and they’ve really accomplished that task with the intricate playing and arrangements on the album. They also have a new version of VOL II’s “Neolithic Way” that takes the song into a different place with the new arrangement.

This album is balanced between the cleaner, and harmonic and the crazed music that you are used to from this band and the production is more rounded out, with depth that adds to the experience. An album that has this much going for it shouldn’t just be considered a side project, it should be thought of as a full-fledged band that can stand shoulder to shoulder with any band.

https://www.facebook.com/daniellioneye/

https://www.facebook.com/theendrecords/

http://theendrecords.com/

HELIX: Long Way To Heaven

Long Way to Heaven is the fifth studio album by Canadian heavy metal band Helix. This album was their third for Capitol Records, and the first single was “Deep Cuts The Knife.” The song received heavy airplay in the U.S., and in Canada it was added to heavy video play on Much Music. The second single released from the album was “The Kids Are All Shakin’,”a song inspired by a fan letter from Poland. This is the remastered re-release from Culture Factory.

Helix came out with this album and there were bigger expectations from the band after the success of the previous Walkin’ The Razor’s Edge (featuring the hit “Rock You”). The band was playing harder and this time they tried to fit in with the more commercially accepted metal bands with a ballad, “Deep Cuts The Knife,” that never really grabbed me then and still doesn’t do it for me. The good thing is that they had a lot of kick-ass songs on here to more than make up for that bump. The songs that I hit replay are; “Don’t Touch The Merchandise.” “The Kids Are All Shakin’,” “Ride The Rocket,” and “House On Fire.” Don’t think the other songs aren’t good, they are, but these are the ones I come back to a little more often. The album is another tightly played collection that now has the clean sound from Culture Factory and their crisp sounding remaster.

The band was riding a high and this is another rockin’ album for your collection and will still get your juices pumping after all these years. Grab a copy and relive your youth with the album turned up and a beer or three in you.

https://www.facebook.com/brian.vollmer.39

http://planethelix.com/

https://www.facebook.com/Culture-Factory-USA-161614307253980/

http://culturefactoryusa.com/