THE GREEN DOOR: Wolf In The Fold

Formed in San Francisco in 2008, the band is composed of Mike Carnahan on lead vocals and guitar, Reese Abell on bass, guitarist Evan Wardell, drummer Vanessa Wolter, as well as Devin Triplett on keys. They mix up spaghetti western and psychedelic music to create their own Western Psychedelic on this new EP.

Sounding like a combination of Jefferson Airplane and Ennio Morricone on these six songs actually works really well and makes for a fun and interesting listen, one that you can go back to again and again. The riff-heavy “Wolf In The Fold” is a great opener that grabs your attention with its mix of styles and a thick sound. The acid alt-country of “Back to Houston” lays on the dirty playing and is a gritty song that has some “twang” in the guitar playing that really gives it that country feel. “You Won’t Hear That Anymore” comes closest to being a straight psychedelic track compared to the others. “Rivers” starts off with vocals that I can’t understand, almost native sounding and then goes quiet for a few seconds and then the band kicks things into gear with a twangy and peppy song that perfectly ends things off on this great EP.

A mix of styles that I never thought would work well together has just blown my expectations away and given me something thrilling to listen to, an original and unique band that will make your ears happy and make you look forward to their next release.

Also posted on: http://ripplemusic.blogspot.com/2018/02/the-green-door-wolf-in-fold.html

https://www.facebook.com/thegreendoorband

https://www.thegreendoorband.com/

https://thegreendoor.bandcamp.com/

Advertisements

ANDREW REED: If All The World Were Right

The new album from Andrew Reed has thirteen tracks and is a blend of rock, Americana, and new classic rock. Musicians contributing to the album include: Trevor Walker and Rob Geisler on bass; Aaron Price on keyboards and piano; Courtney Hodges on backing vocals; Paul Babelay on percussion; Alex Bradley on trumpet; Joseph Dowdy on saxophone; Kyle Snuffer on trombone; Kara Poorbaugh on viola; Franklin Keel on cello; and Andrew Reed on guitars.

“Sailed Away” is a pleasant mellow track that reminds me of some of the acoustic British bands in the mid-‘80s with the gentle sounds and swaying beat of the music. The song has a lovely quality that makes you fall in love with it. “Cure My Mind” is another great song that has beautiful guitar playing and the organ is fantastic in the song, giving it so much depth. The band is tight, has emotion and plays so well that you will just want to listen to the songs over and over again. The album has that mid-‘80s British vibe that I miss and they really took me for a loop because I was not expecting that at all. “Life In The City,” “If All the World Were Right,” and “Open Road,” were a few more songs that really grabbed me. “Sailed Away (Reprise)” is a little different than the previous version, but still holds up as a fantastic song. It’s a little slower, more dramatic, and just fantastic. The album ends with “All the World is Right (Poem)” which is really a poem being recited with piano and strings accompanying, and it totally works as a great close to an album that just kept on giving the listener great songs.

The album doesn’t exceed expectations, it completely blew them away and made for an experience that you will want to bring back to your ears as soon as you can. This shows that you can have heartfelt, expressive songs and not bore the listener, you astound them.

Also posted on: http://ripplemusic.blogspot.com/2018/01/andrew-reed-if-all-world-were-right.html

http://www.andrewreedmusic.com/

http://www.facebook.com/AndrewReedMusic/

SINOPTIK: Standalone Syndrome

They first formed in Donetsk, Ukraine in 2011, and almost three years ago, they were forced to leave their home city by the war and venture forth in search of a new home. They state that “it’s a new page in our music. It’s a new vision of our band.”

I don’t know what vision it is that they have, but I like where they are going with it. The mix of psych/stoner rock just grabs you as soon as you hit play. The swirling sounds, the pounding drums, the thick, but intricate bass, the excellent guitar playing and the blistering vocals made this a song that you will want to hear again and again. The song is catchy, a glorious morass that will engulf your ears and fill them with the glory of a band that is at the top of their game.

With just one song to go on, this is a fantastic journey for the band that the listener can’t help but get pulled along for the ride, and what a ride it is. Grab a bag of your fav snack food and let them take you away.

Also posted at: http://ripplemusic.blogspot.com/2018/01/sinoptik-standalone-syndrome.html

http://sinoptik.us/

https://www.facebook.com/SinoptikBand/

https://thesinoptik.bandcamp.com/

STARING INTO NOTHING: Power

This progressive rock trio hails from Orange County, CA and consists of Steve Rogers (piano, keyboards, lead and backing vocals), Savannah Rogers (guitar, lead and backing vocals), and Kurt Barabas (bass and guitars). The album also features the additional musicians: Matt Chamberlain (drums), David Levita (guitars), Jamie Muhoberac (keyboards), Pop Levi (backing vocals), and Andrea Meli (backing vocals).

With political lyrics and tight musicianship, the band gives listeners an earful that makes repeated listening very easy. You get hints of ‘70s prog mixed with ‘80s and current sounds that make for a nice mixture of sounds that never gets boring. This has so many songs that stand out that it’s hard to pick one or two, it’s like a collection of the best songs or at least a band that put a lot of thought into what they recorded instead of just trying to pack a ton of songs on a release. The one-two punch of “Puritans” and “School Daze” must be one of the best starts to an album that I’ve heard in a long time. So catchy and played with conviction, I had a hard time going onto the rest of the album until I played them a few more times. “The Pendulum”, “Heads And Tails”, and the lead single “Big Brother,” are more of the standouts on the album. There is also an 18-minute opus on the record entitled “Towers” that is an amazing song that needs to be listened to with headphones on to get the full effect. With beautiful production from Mark Needham, this sounds clear, crisp and full of life.

All I can say is that if you need something new to listen to, grab this and ignore your preconceived idea of overwrought prog, this has depth and is brimming with emotion, plus lyrics that will get you thinking…how can that ever be a bad combination?

Also posted on: http://ripplemusic.blogspot.com/2017/11/staring-into-nothing-power.html

https://staringintonothing.bandcamp.com/

www.staringintonothing.com

https://www.facebook.com/StaringIntoNothing/

FRACKTURA: Oculus

This progressive rock trio from Cincinnati, OH features Karis Tucker (voice), André Machado (8-string guitar, bass), and Henry Conde (synth, piano). Guest musicians include Julio Oliveira on drums, Ander Peterson on saxophone, Soojin Kim on piano, and with lyrics by Diogo Oliveria. With 2016 being the official start of the band, this new EP continues on and expands from the first single “Reality.”

Oculus is meant to be listened to in one sitting to absorb its power and meaning with the main theme being about reconciling the individual’s outer persona with their inner self-running through the four songs on the EP. Opener “You” starts a capella and then the piano comes in to make a song that reminds me of a Depeche Mode quiet piece. “Gold Spectrum” is an avant-garde jazz piece with wailing and squawking sax and discordant sounds that bring to mind the Contortions. “The Fear Peddler” has a more straightforward sound than the previous song and adds some interesting spaciness in the sound, kind of like drifting in the sky-high above the earth. Finishing with “Identidade,” a quiet, yet powerful song that has sweet vocals and a haunting piano that grabs your ears and pulls you into the depth of the song.

A very interesting EP that will have you putting on your headphones to listen to so that you don’t miss one bit of sound that they have produced here. From beauty to quirky and back to the beauty all in under fifteen minutes, and fifteen minutes that you will no doubt be listening to again and again.

Also posted on: http://ripplemusic.blogspot.com/2017/11/fracktura-oculus.html

https://fracktura.com/

https://www.facebook.com/FrackturaOfficial

https://fracktura.bandcamp.com/

AURGANIC: Distant Echoes & Close Encounters

Aurganic is an experimental electronic/alternative studio project of two long-time friends Michael Kossov and Leo Pisaq. Originally high school classmates, they were members in a number of local punk rock bands until life and distance separated them for a number of years. They reconnected musically in 2010 finding a lot of common ground. This time it was electronica, art rock, and jazz that dominated the ideas. The reunited duo recorded instrumental sessions in New York and worked on their completion via internet resulting in a self-titled EP. Rooted in friendship, the project proved its longevity with four independent releases to date. Hailing from the Toronto/New York area, Aurganic’s sound revolves around experimental electronic elements blended with rock, post-rock, progressive rock and indie rock ingredients.

“Signs” has multi-layered vocal harmonies, intelligently placed electronics, and some crunchy guitar drives and starts off the album on a definite high. “Empires” has a Muse feel to it, but without sounding like a copycat with the electronics and guitars creating a great mix that makes the track stand out. “Invincible (In The Shadows)” has strong harmonies and continues the high quality of the previous songs. “Levitate” is a fantastic electro-pop song and is one of the best tracks on the album filled with great tracks. “Distant Echoes” has a slow melodic vibe that gives a nice change to the album, and also has great guitar playing. “Shaman” is a ballad with vocals electronically treated, acoustic guitar and very able drumming. The closer “Close Encounters” is an all-instrumental track that shows off the progressive leanings of the band and makes for a great ending to a fun album.

With various styles and textures, this album really gives the listener something to sink their teeth into and an exciting listen that makes you want to hit the play button again. Go out and give your ears a treat and pick this one up.

Also posted at: http://ripplemusic.blogspot.com/2017/10/aurganic-distant-echoes-close-encounters.html

https://www.aurganic.com/

https://www.facebook.com/Aurganic/

PATRICK GRANT: A Sequence Of Waves (Twelve Stories And A Dream)

Patrick Grant is originally from Detroit, now living in New York City, he studied at the world-famous Juilliard School and worked with Billy Joel and Quincy Jones on an international project for the Millennium, and in his work with Robert Fripp (King Crimson, Brian Eno, and David Bowie) & The Orchestra of Crafty Guitarists. The musicians on the album include Patrick Grant on guitar, bass, viola, piano, keyboards and percussion; John Ferrari on drums, mallet instruments and percussion; Nick Didkovsky on guitar; Dan Cooper on 7-string electric bass; Lynn Bechtold on violin; and Dan Barrett on cello.

A thirteen track, all instrumental album that has many moods and feels, like a soundtrack to an exciting movie that you want to keep listening to. With some rock, classical and progressive, you have a mixed bag with more choices than going out to a buffet. “Lucid Intervals” opens the album with strings, chimes and hand drums and sets you off on a great start. “Driving Patterns” has great electric guitar playing, piano, peppy percussion, and a fun drum beat. “Seven Years At Sea” has a field recording of echoed and looped vocals from the Hoffpauir sisters (Elita, Mary, and Ella), which was recorded in Louisiana in 1934. I have only touched on a few tracks here, but really, you can’t go wrong when you hit play, just pick a track and it will thrill you and take you away on an exciting trip.

Grab a copy and visit somewhere else, a place you may not have any idea where or when it is, but you will definitely enjoy the trip. A collection of songs that will keep you coming back for more and listen to over and over again, and keep a smile on your face at the same time.

Also posted at: http://ripplemusic.blogspot.com/2017/10/patrick-grant-sequence-of-waves-twelve.html

http://www.peppergreenmedia.com

https://www.facebook.com/patrickgrantnyc