BLITZ: The Albums 5CD CLAMSHELL BOX SET

Blitz was a street punk/Oi! band from New Mills, Derbyshire, England, formed in 1980 producing albums until 1983. The band signed to No Future in 1981, and their first release was the 7″ EP All Out Attack. Their debut album Voice of a Generation received a five-star review from Bushell in Sounds. The original Blitz lineup consisted of Carl Fisher (vocals), Charlie Howe (percussion), Nidge Miller (guitar), and Neil “Mackie” McLennan (bass). After Fisher and McLennan had a disagreement, Fisher and Howe formed their own band. In 1983 they produced Second Empire Justice on the No Future label with Tim Harris (guitar, keyboards), crediting Mackie. Because of its departure into post-punk and new wave characteristics it did not do well with the original Oi! audience. The album was commercially unsuccessful at the time, the No Future label sank, because Blitz was their main income and with it the Fisher and Howe arrangement. According to Miller, the band split up, because the original members had no interest in “touring, plus they were never really into the music.” It was Miller alone who produced the 1989 album The Killing Dream playing all instruments (guitars, bass, drums) with Gary Bassnett on vocals. This 90 track, 5 disc clam shell box set features everything released by Punk legends Blitz. The 20 page booklet comes complete with detailed liner notes, pictures of all relevant record sleeves and memorabilia and clippings from the era.

I remember hearing the classic “Someone’s Gonna Die” and couldn’t believe hav much I loved it and how thick it sounded, like a jet-liner taking off in my face, I knew that I needed  more from this band. Disc 1 is the seminal Voice Of A Generation album which hit No.27 in the UK National Charts as well as topping the Independent Chart. This album is fantastic with songs like “4.Q.,” which lept me coming back to it year after year, and playing it for anyone who would listen. A great debut that retains the pure power and force that makes it stand out from the pack. Disc 2 is a 29 track collection of non LP singles, B-sides and compilation cuts that was mostly the way a lot of people, myself included heard Blitz mostly. Back then, compilation albums were a great way to hear bands new songs, rare songs and get people to pick up their own releases. This CD is chock full of fantastic songs and will be stuck in your player for hours. Disc 3 is a rare In Concert live recording from 1982. This is an amazing in your face concert showcasing the band playing their hearts out to an appreciative crowd. CD 4 is the No.5 Indie Chart album Second Empire Justice which now features the “Telecommunication” and “Solar” singles as a bonus. This is the album that the older fans just shook thier heads at, “where was the punk, the fire?” The band took a lot of stick for coming across more like Joy Division than the old punk band that they were, but they still had great songs and the album sounds good in the light of years passing. Lots of hooks, and the lyrics were still on point, just let yourself relax and enjoy it. The fifth and final disc is the band’s album from 1990 The Killing Dream, now restored to its original track listing and running order. With a drum machine and still sounding like a post-punk album, it has some good moments, but isn’t the punk powerhouse that people might have been expecting. It still has enough interesting things going for it that I enjoyed it more now than I did back when it came out.

Having this great band collected is such a treat and will keep you happy for hours and hours, just keep an open mind. his is the definitve collection of a vital band that more people need to hear.

https://www.facebook.com/CherryRedRecords/

https://www.cherryred.co.uk/

https://www.facebook.com/captainoirecords

http://captainoi.com/

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CHARGED G.B.H. : 1981-1984

 

Charged GBH, commonly known as GBH, is an English street punk band which was formed in 1978. 1982 saw the release of GBH’s first LP, City Baby Attacked By Rats which reached number 17 in the UK charts as well as Number 2 in the respected UK Indie charts where the bands singles had also taken up residence, leading to a memorable appearance on legendary UK TV programme The Tube doing “Give Me Fire” (UK Indie chart no 2). This 64 track 4 CD clamshell box set captures the most successful and influential years of the band and has an amazing booklet as well.

I first was aware of G.B.H. back in 1983 and first got an album of theirs in 1985, the classic City Baby Attacked By Rats. I put it on the turntable and was hooked right away with the power and intensity of the album. After all these years, the album still has that effect on me. The raw force of the band comes at you like a freight train and never lets up, a change from the more ’77 punk that I was listening to at the time. I then got City Baby’s Revenge and was happy to hear that they had lost none of the power that I loved from the first album, they had actually become tighter and stronger players. I later got Leather, Bristles, Studs, And Acne and loved the pure fire of the early songs. Disc 1 contains the band’s first release, the Leather, Bristles, Studs And Acne 12” which reached the Indie Chart Top Ten in 1981 and now comes with the addition of the “Sick Boy” and “No Survivors” singles. This is a great jumping off point to hear just how intense the band was at the time and how they still can make your hair stand on end after all these years. CD 2 is debut LP City Baby Attacked By Rats, which now comes with the addition of the UK National hit single “Give Me Fire.” This is one of the best albums I have ever heard and fills me with energy and thrills me to this very day. Continuing on with the speed and devastation of their first album, CD 3 is City Babies Revenge, the band’s second studio album, and an Independent Chart Top Ten smash, and it now comes with the bonus of the “Catch 23” and “Do What You Do” singles. The final disc is a 14 track live in concert from 1983 that gives the listener a taste of what this incredible band was like on a hot night.

The band is still going to this day and will continue to blow the punters away with their in your face performance. This is a dream come true, the best of the best and sounding great after all these years.

http://gbhuk.com/

https://www.facebook.com/GBH.official/

https://www.cherryred.co.uk/

https://www.facebook.com/cherryredrecords

http://captainoi.com/

https://www.facebook.com/captainoirecords

999: The Albums 1977-80

A 59 track 4 CD clamshell box set gathering together all of Punk legends 999’s releases between 1977-80. Each disc comes in a card wallet featuring a replica of the original LP artwork whilst the 20-page booklet contains detailed liner notes, lots of clippings, memorabilia and record sleeves from the era.

Disc one features the debut 999 album which hit No.53 in the UK National Chart and includes the singles “Me And My Desire,” and the classic “Emergency.” Both singles and both songs that have hooks and sound amazing still. Not as much of a buzzsaw band like other contemporaries of the time, but a talented and hook-filled debut that gets the pulse going still. Disc two has the Separates album from 1978 which featured the anthemic “Homicide” (a UK No.40 hit single) and the band’s ode to their following, “Feelin’ Alright With The Crew.” “Homicide” was the first song of theirs that I heard and it’s still one of my favourite punk songs of all-time. The rest of the album is no slouch either. I owned the Canadian version of this album which had a different playing order, cover, some different tracks and was called High Energy Plan. As an added bonus this album includes the single “Waiting” with the b-side “Action.” Disc three is The Biggest Prize In Sport and it features the “Trouble” 45. This album is one that a friend got me for a birthday present and locked in my love for this band, With a more rock-oriented sound, they were moving away from the tried and true punk sound, but still had the attitude, plus more hooks. The last disc is the rarities album which is a 22-track round-up of non-LP singles and rare, compilation-only, cuts. It includes the Punk classic “Nasty! Nasty!,” the 7” versions of singles such as “I’m Alive” and “No Pity” plus the live mini-LP The Biggest Tour In Sport from their mega coast-to-coast trek across America. This is a great disc of songs that I had heard but never could find back in Canada.

Add in the great info in the booklet, the better sound on this collection and all the music, this is the collection to get! Also, if you have the chance, go see them live some 40 odd years after forming and still featuring three-quarters of their original line up.

https://www.facebook.com/999Music/

http://www.nineninenine.net/

https://www.facebook.com/CherryRedRecords/

https://www.cherryred.co.uk/

https://www.facebook.com/captainoirecords/

http://captainoi.com/

PETER & THE TEST TUBE BABIES: The Albums 1982-87 (6 CD Box Set)

PETER AND THE TEST TUBE BABIES-THE ALBUMS 1982-87-IMPORT 6 CD WITH JAPAN OBI O23

Ninety-one tracks on six CDs box set featuring the entire P&TTB recorded output between 1978-87…how can you go wrong? The first disc is the debut live album, Pissed & Proud, that hit No.2 in the Indie Chart in 1982. The Mating Sounds Of South American Frogs is on Disc 2 that hit No.7 in the Indie Chart in 1983. Disc 3 features 26 rare non-LP cuts by the band including the Indie Chart hit singles “Banned From The Pubs” (No.10), “Run Like Hell” (No.2), “Zombie Creeping Flesh” (No.2) and “Blown Out Again” (No.40). The 18 track demos collection Loud Blaring Punk Rock is Disc 4, a No.7 Indie Chart Hit. Disc 5 features the Rotting In The Fart Sack EP (No.3) plus the “Wimpeez” (No. 8) and “Keys To The City” (No.19) singles, whilst Disc 6 is the brilliant Soberphobia album from 1987, an Indie Chart No.11 hit. Each disc comes in a cardboard wallet with its original LP art and the clamshell box also contains a 20-page booklet featuring pictures of all the records, rare clippings from the band’s archive and detailed liner notes.

All I can say is wow! So much punk rock goodness and fun that it’s almost too much…almost. I have been a fan for years and have a few of these already, but with better sound, and having all of this music in one spot, how could I refuse? As much as I enjoyed the first live album, their first album proper really grabbed me and I still play the hell out of it today. Such a great true first album of studio tracks that the energy and fun still get the heart racing today. The third disc has a ton of great non-album songs on it, and truth be told, some of their best songs, that it is a hard disc to put down., I mean “Banned From The Pubs” is such a classic. The third CD has a lot of great songs but pales only because I wanted more of the studio music, not demos, but I still like it. Disc five brings back the studio tunes, some live stuff, but a whole lot of humour that will leave a smile on your face. The last CD has more of a smooth sound, still punk, but more pop, and even more catchy, but still great, that it might have made the diehards not too happy, but it’s a great bunch of songs that keep the sound of the band going in a positive direction and still is better than most so-called punk nowadays.

With improved sound, great info in the booklet and great packaging, this is the collection to get. You will laugh, you will want to shout along with the band, exactly the way that the band would love you to do. Result!

https://www.facebook.com/PeterAndTheTestTubeBabies/

https://www.facebook.com/CherryRedRecords/

https://www.cherryred.co.uk/

https://www.facebook.com/captainoirecords/

http://captainoi.com/

GROUPOEM: Dirt Church

group

The band began as Mr.Science in 1983 before transforming into Groupoem in 1986. The band first released a six song 12″ EP before embarking on a North American tour in 1987. They later returned to the studio where they recorded 10 songs in the summer of 1987 that are being released now for the first time, along with some new songs. The band then went on hiatus for 25 years and has now regrouped with all the original members that ironically, all four members of the band separately had migrated from Toronto to the Vancouver, BC area. The first nine tracks on this album represent the newest music, while tracks ten through eighteen are from 1987, and are a mix of punk rock and alternative.

If you are a fan of talking/singing, kind of how Lou Reed did it, this is for you. “Slimfast” is the kickoff track of this album, and one of their newer songs and has that vocal style mixed with some angular playing that really gives the song a nice edge to it. The vocals also give me a Stan Ridgway vibe with the shaky sound to them. The band has a great vibe going on with sharp guitar playing, and terrific drumming and the vocals that kind of are a step out of sync, but yet match up perfectly with the music. All of the new songs have a great sound and are exceptional, and then we get to the old ones…wow! The band sounds so different, you know, youth and different experiences can make a difference over time, but I wish that I had heard this band back in high school, I would have loved them, and I do now! The band just blows through these old songs at a breakneck pace and you really feel the power and enthusiasm that is present on these songs. One rager after another that will get your heart rate going and get your tired old ass up out of your chair and slamming in the front room.

I am so glad to hear their new songs and how they have moved on, but kept the great songs that they showed on the older tunes, but damn, they could really tear it up back then. A great collection of songs that shows a progression and a promise for more in the future from this talented group. Welcome back boys!

Also posted at: http://ripplemusic.blogspot.com/2017/10/groupoem-dirt-church.html

https://www.facebook.com/groupoemband/

http://www.groupoem-band.com/

A mini documentary of the band’s reformation at YouTube:

https://www.youtube.com/watch?v=ccyYtHm7cc8

Spotify: https://goo.gl/UBWxUs

STERILE JETS: No Gods No Loss

The band featuring singer/guitarist Robert Bly Moore, singer/bass player Wm. Partnoff and drummer GS Bean is a true democracy. They compose and arrange every song to bring out its best elements, delving deeply into punk, post rock, jazz and metal, with stimulating side trips into rockabilly, grunge and even pop. The noisy songs are very similar to what SST Records was putting out in the mid ’80s after they went away from straight punk rock and into more avant-garde music.

The songs are pure noise-filled hellions that challenge the listener with a complete lack of clarity and clean sounds, instead you get an album of intensity and insanity that nowadays is so refreshing since no one really does this anymore. You have touches of John Lydon, Cheech Marin doing his Alice Bowie character, and Jello Biafra in the singing with the inflections that are sometimes all in the same song. The anger and bitterness are like a kick in the groin throughout and really adds to the filthiness of the mix. “Piss On Your God” is a swirling tempest that grabs you and won’t let you go, not that you would want it to because it’s one hell of a ride and one of the greatest songs on here. The playing is sloppy, the vocals are crazed, noise, noise, noise, and the band playing like they are trying to destroy their instruments just make for a debauched and amazing journey.

Put this album on and piss off your family, open your windows and piss off the neighbors, but you will love every second of it, both the music and making people crazy. This kids is what punk rock was blending with back in the old days and very few managed to get it as right as these guys do.

Also posted on: https://ripplemusic.blogspot.com/2017/04/sterile-jets-no-gods-no-loss.html

http://sterilejets.com/

https://www.facebook.com/UpTheJets/

http://sterilejets.bandcamp.com/

THE LONG DARK ROAD: Self-titled

Influenced by Deafheaven, The Long Dark Road’s four-song self-titled EP is the result of a series of events in Toronto musician Jeremy Cavan’s life, including debt, homelessness, and a divorce. The mix of black metal, punk and hardcore on this album gives into a touch of prog-type songs, at least in length with the title track alone surpassing the ten minute mark, and the shortest track is just shy of seven minutes long.

The lyrics are more geared toward political and societal topics than most metal bands and luckily even with the gruff and occasionally less than clean singing, you can still hear the words and see the anger and disgust that is being spit out. The songs are as heavy as the weight of the world’s problems on their shoulders, but melodic and interesting, with the length of them not being a factor that impedes your enjoyment, in fact, the length seems perfect for each song, like a complete argument that needs to be heard. The mix is a bit dirty and gritty, but it suits the music and tone perfectly; who wants it all prettied up since it would take the intensity and immediacy of it away. The songs each have their own feel and have shredding guitar playing that really stands out, as well as the extended bits that show the more textured playing and at times softer sounds that the band can create and meld into a song that is both devastating and thrilling.

If you are looking for some straight-ahead metal, this may come as a shock, but the album has both beauty and anger that forge an alliance and make you want to come back to it time and time again. With only four songs, they have created an album that will become a constant player in your collection, and make you want to see what comes next.

Also posted on: http://ripplemusic.blogspot.com/2017/03/the-long-dark-road-long-dark-road.html

https://www.facebook.com/thelongdarkroad/

https://thelongdarkroad.bandcamp.com/