Brave is a six-piece progressive/rock/metal band based in Washington, DC, and play a mix of progressive rock, folk, and metal with female vocals. They have been around since 1996 under the initial name Arise From Thorns, and have released 9 recordings, including 2 recordings under their previous band name.
An album of lush sounds, great production, and terrific playing is what you are in store for on this new album. The songs are just beautiful, with the angelic vocals of Michelle Schrotz giving the songs so much emotion. On the more rocking “Summertime,” she almost has a Dolores O’Riordan sound to her singing. The song has great guitar playing and was a standout to me since it was one of the faster and catchier songs on here. Of course, this isn’t to say that the other songs weren’t good…they were, they were really good, but this one just did it for me. The lighter songs like “Bay Song” really show off the band’s exceptional playing and really make those songs a pleasure to listen to as well.
This is a very mixed album, harder and softer songs all mixed together, soaring vocals, soft vocals, all of it made for a great listen. The power and the gentleness of this band will amaze you and the great songs will lock it in for you…this one is a great trip to take.
Also posted: http://ripplemusic.blogspot.com/2019/02/brave-calm-storm.html
Bobbie Morrone launched his music career in approximately 2007. Since then, he has recruited two other musicians; Isaac Vining (drums/percussion), and Adam Skinner (bass guitar), who create a mix of blues, soul and pop music.
Coming on like James Taylor at times, Morrone has a cool, and casual 70s vibe going on throughout this album. Every song feels like something that could be a single, some faster, some slower like the amazing “Holding On,” but they are all terrific. “Holding On” really has powerful emotion and could bring a tear to dead man’s eye, just a beautiful slow song that is a stand out to me. The playing is just exemplary on this album, you can hear and feel the rawness of the emotions and love for this music in every note. Morrone’s vocals are sweet and tender, filled with heartache and the band really gives off the 70s vibe with a great turn on “I Can’t Fall That Far (Intro)” and the vocal song following.
This was a complete surprise to me, not having heard of him before, but now he has a new fan in me and if you take a listen, hopefully in you as well. A collection of amazing songs to bring a tear of sadness and joy to your heart.
Also posted: http://ripplemusic.blogspot.com/2019/01/bobbie-morrone-lonely-st.html
This four-piece band from Napier, New Zealand used to be called Diamond Doll and have changed their name to The Diamond Dead now. The band consists of Tom, Liv, Tyley, and Kane, and this song is a preview of their forthcoming EP Becoming.
With a song that is “about the internal struggle of being part of an apathetic generation, of realizing what’s going on in the world but being too preoccupied with yourself to care,” as the band says, you can see that they are a bit more cerebral than a lot of other bands out there. The band plays tight, fierce and with so much energy and emotion that you are drawn into the song right from the start. The vocals are amazing, going from a smoother, yet tough sound to the shouted, almost Wendy O. Williams style of singing. This is such a treat since so many female vocals are wimpy or don’t have any power to them at all.
If this is just a single from the forthcoming EP, I can’t wait to hear the whole thing. Also, please keep on making fantastic music, and more frequently if, at all possible, the time between releases kills me.
This secret member band from Texas has done it again, on Halloween 2018, they released another masterpiece of mayhem on the masses. Seven more short, to the point brutal songs for the punters.
With a mix of shouted/crazed vocals and throatier moments, the band rips through their new collection of songs with all the energy of a nuclear bomb. One kick in the balls after another coming at you with no rest between…awesome! I can never pick one song that stands out since they are all great, no fluff at all, just powerful tunes. The band is still playing a bit sloppy, but it works so well and you know that this will sound just as good live…if they would ever play live that is.
This is real deal punk/hardcore, the kind of stuff that I never get tired of hearing. I’m glad that they sent me the info so I could listen to this devasting collection of songs.
Here we go…this secret member band from Texas has seven super short songs that come at you like a psycho chasing you down the street.
This kick in the nuts album has some George Carlin samples on the first song “Shangry Torando’s Win Again!!!” “Now You’re A Cop” is even better than the first with the Ice-T sample and the great chorus. This is so in your face and sloppy, but damn…I just love that they keep the punk rock going and going. For those sick of over-produced punk, this reminds me of the good old days when you could find cool stuff on tapes. The shouted, sometimes growled vocals, the crazed drumming, the guitar that seems to be playing its own song different from the rest of the band and the bass keeping up, make for such a fun listen, plus the lyrics are cool as well.
Definitely worth checking out and supporting these guys because they do this for the love of the music, not for corporate crap-fests. Download this and scare the animals in your neighborhood.
The Flesh Eaters, LA’s unconventional “supergroup”, reunites classic 1981 lineup of founding vocalist and songwriter Chris Desjardins — better known as Chris D, Dave Alvin (guitar) and Bill Bateman (drums) of the Blasters; John Doe (bass) and D.J. Bonebrake (marimba and percussion) of X; and Steve Berlin (saxophones) of the Plugz (and later the Blasters and Los Lobos) for I Used to Be Pretty. On five of the album’s 11 tracks, Julie Christensen, Desjardins’ vocal partner in The Flesh Eaters’ successor band Divine Horsemen, latter-day editions of the original group, and in married life joins in. The Flesh Eaters were among the groundbreaking bands that emerged from the original Hollywood punk club the Masque in 1977, and after using different musicians on early recordings, this is the lineup that holds the most love from fans.
“Black Temptation” is one of two new tracks on here and starts things off with a slow burn that builds to a crescendo and the band is totally on point with a great rocking track to start things off. The other new song is the last one, “Ghost Cave Lament” and what a doozy it is coming in at over 13 minutes long. The track is just amazing with the sax, marimba and the tortured vocals making this a modern-day version of the Doors “The End.” The two new songs show that these guys are every bit as talented as they were on their older album and gives hope for more in the future. Six tracks on I Used to Be Pretty offer forceful reinterpretations of previously released Flesh Eaters songs. “Pony Dress” from the compilation Tooth and Nail (1979), “My Life to Live” and “The Wedding Dice” appeared on Forever Came Today (1982); “Youngest Profession” on Dragstrip Riot (1991); “House Amid the Thickets” on Ashes of Time (1999); and “Miss Muerte” was the title track of the most recent Flesh Eaters album. All of these songs have been updated, but not drastically changed, just given a new sheen from these great musicians, kind of fine-tuning them if you will. They also have three covers on this album; Fleetwood Mac’s “The Green Manalishi,” The Sonics “Cinderella” and The Gun Club’s “She’s Like Heroin To Me.” The covers have the power and guts that this album has given us in spades. The band sounds as though they had never stopped playing together all these years and the dual vocals added so much to the songs.
Tough playing, vocals that are gruff when needed, and having saxophone on an album again just, made me so happy and filled my ears with joy. For a band that hasn’t been on the public’s radar for a long time, I hope that this album changes that. This is a mandatory release for those who want some old/new, punky/swampy music that will get into your soul and lift you up and put a smile on your face.
Alien Sex Fiend have been playing their goth-industrial mix since forming in London, England in 1982, and have just released their brand-new studio album, Possessed. This is the first new album since 2010’s hugely successful Death Trip album.
So here is a new album by Mr. and Mrs. Fiend, could you believe that when the Batcave started, that this band would still be around, let alone be this interesting still? I am glad that I’m not a betting man and also glad that they are still putting out fantastic albums like this. With a cool intro, we jump into the album and “Shit’s Coming Down” which has a trancey feel to the titled being sung over and over and the beat just flowing over the song. “It’s In My Blood” has distorted vocals, a throbbing beat and has a mellow, but edge to it that sends shivers up my spine. “Carcass” has the feel of a trance song mixed with a freak out going on at the same time…awesome! “Ghost In The Machine” is kind of a twisted spaghetti western mixed with ambient that makes for a strange, but a cool mix. As before, this is a machine that you can’t ignore. “Amnesia” is kind of minimalist and really stood out as an interesting song that had interesting effects and vibe. “Spine-tingler” is a short song with twisted vocals, then “Gotta Get Back” is a mellow track with quiet vocals that eventually gets a bit more full as more sounds start to enter and is a cool track that sounded great as the thunderstorm hit my area. “Invisible (The Beyond Mix)” reminds me of some of their older songs, but there’s nothing wrong with that at all! The interesting sounds mixed with the insane vocal from Nik just make for a song that made me hot repeat a few times. “Neutron” is an instrumental track that has a bit of twangy guitar and swelling synths that just reach for the stars and it almost has a hint of Pink Floyd in it. “Bloody Reprisal” is a version of “It’s In My Blood” that adds to the original track by being spacey and cool. Last track is “Shit’s Coming Down (Monster Mix)” that adds more effects, a thicker dance beat and more insanity that ends the album off perfectly.
The recording of this album had a very troubled bunch of circumstances that made what was supposed to be a quick follow-up to the previous LP Death Trip a very long journey. The death of guitarist Simon “Doc” Milton in 2012, as well as Nik Fiend being involved in a nasty car accident and Mrs. Fiend’s mother passing away, all took their toll on this album getting done in a timely manner. All I can say is that despite all of the hardships, this was worth the wait and is a fitting memorial to Doc and the Fiends commitment to great music. A band that is and has always been an original and just keeps putting out music that thrills.