TRINE: Somewhere Under The Rainbow

Trine, a trio from Austin, TX consisting of Deuce Waner (drums), Jon Yodan Jr. (guitar), and Ryan Hegefeld (vocals/bass), has released their debut album and what a whopper it is……..sixteen tracks! This alternative metal band has gone beyond what most groups do and given the fans something to think about as well as rock out to.

“Once In A Lullaby,” is an instrumental introduction to the sound of the album. This is a nice strong beginning, dark, edgy, disturbing, with a sinister laugh and dark forbidding sound. “Takedown” has a similar sound, but the guitar just punches you out as soon as it comes in, and the guitar and bass are the glue that keeps everything together. It’s multi layered with the guitar and bass. It’s not messy or sounding like multiple songs going on, it’s all coherent. The vocals are low at first, and smooth as silk and then it kicks it up to be full-bodied, in your face, not angry but imploring, strong, it pulls off the different tones, and the different pitches flawlessly. In “Heroes Of Tomorrow,” the vocals are the focal point; the vocals stand out as powerful, in your face, not angry but forceful. This song just engulfs the listener like the last one. Still very heavy guitar and bass, but the guitar and bass add that sense of depth and texture that pulls everything together it’s the backbone of Trine’s sound. “Anti Gravity” starts off with the guitar bouncy, and then the drums come in to back up the sound. Dark tones to this track give it an 80’s/90’s feel, but it’s been updated and modernized. Strong vocals are still the focal point of their songs. It’s loud, forceful, surrounds the listener, not so much in your face, but just engulfs you. The guitar did this Spanish style solo and was interesting, unique, unexpected and was beautifully done, it works really well as a bridge from the start to the finish. “A Dream Of You” has a different tone, it’s quieter guitar, is more solemn, with a different feel altogether. There aren’t any vocals on this track, it’s all instrumental. “Elysium” changes, to a more drum based sound, the vocals are slightly drowned out, but not by much. The vocals are giving off a desperate feel which works with the sound. There’s a streamlined sound to the vocals that’s multi pitched, and it works. “The Noose Or The Knife” is a dark, semi industrial, grungey style sounding song. The vocals aren’t as pronounced like before, but not hidden, more like a storyline with a talking style to the vocals. Overall it has an angry feel, but not really angry, it’s more rough around the edges, not gritty, but it has a slight edge and rawness to it. “Enemy” has a more desperate feel, in your face, edgier, heavy-set/tone at the beginning, then the vocals turn smooth, but the sound still reeks of power, with a gives no fucks feel to this track. More of a revenge song/sound. It works, with its dark, deep, textured sound that provokes many emotions. Overall a great song. “Royalty” has vocals that are more hidden, like it’s painful to bare one’s soul but full of hope and a bitter-sweet sound. It’s quiet but guitar based, with vocals that are soft and then become loud to make a point. A nice story of hope. It has a 90’s tv/movie drama feel to it and it evokes so many emotions. A great song. “Fake” gets things back to being disturbing. It’s dark, calm/angry, and it’s like a storm that is brewing. The vocals aren’t hidden, slightly flat, not as powerful, raw or in your face that the music and the tone demands. It’s too soft for the overall feel, but it’s a nice starting point though. It’s another storyline song but the texture is wrong, it’s too smooth and flat for an angry, hate filled vibe song. It’s an angry song, but I’m not getting that feel like from the other tracks. “Futures” is a more fast paced, multi layered, textured song, with vocals that are a little hidden and quiet and smooth, but the energy is high, not the in your face feel, but you know it’s there. “Hercules” has a disturbing sound at first then the vocals hit you in the face. Much better vocals and tone, it has high energy, it’s powerful, multi layered, textured, and it’s a don’t give a fuck song. It’s empowering, and it pulls you into the sound and power. “Terraform” is an unusual track with the different styles. It’s about being lost and finding one’s place, as in transforming something dead into something alive. It has really heavy bass and guitar, the vocals switch from being crystal clear to a muffled gargle. It has a major sci-fi feel to it and it’s very hard to describe, but I liked it.
“Fire” has a very hardcore guitar, fast paced sound with vocals overlapping each other creating an echo effect. The vocals are clear, strong, and full-bodied. The song has different layers all mixed into one; it has power and rawness, not in your face, but you can’t help but pay attention to it. It’s hardcore rock. “Full Circle” is drum heavy and then the guitar backs it up nicely. The vocals are slightly in the background and a little flat for such a powerful song. The music is powerful, rough around the edges, in your face, but the vocals don’t exactly match up, they’re too nice and smooth. “Somewhere Under The Rainbow” is mostly instrumental and slightly dark, with the inclusion of bells and ends off the album.

A very long album that has far more successes than miss-steps and shows so much potential and talent that these guys have. With a bit of editing, and time, this band will be a powerhouse that will be headlining larger and larger venues. A really great first album that will keep your attention and will sound great cranked up loud.

Review by: Amy East

https://www.facebook.com/trineatx/

https://www.trineatx.com/

Hinder: Harker Heights – All Bottoms Up Bar Concert With Kings Of The Air, Tame Fury, Trine, and Within Reason

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The concert in Harker Heights was at a bar however it was an outside venue and was brutally hot and humid that day. The concert had starting times for either 6 or 6:30 pm depending on the websites you were looking at, so I got there around 6:30 pm. With the uncertainty of the start time, I was hungry and stopped to eat some Mexican food and 99 cent margaritas and missed the first band. It was the down time between the first band The Kings Of The Air which I missed and Tame Fury when I arrived. While waiting for Tame fury to come onto the stage, I walked around to see how the crowd was, it was a small crowd with most of the people there to see Within Reason and main attraction Hinder.

I made my way to the back near the bar so I could have a full view of the crowd and the stage. When it was time for Tame Fury to come onto the stage the crowd was unimpressed by them since they were there for Hinder and Within Reason. Tame Fury came on like being on stage was normal for them. I had only heard their music the day before and I was surprisingly impressed by what I heard online. When the music started to play, I was completely blown away, they had a superb sound that’s like another world between hearing them online and seeing them live. It was high energy, bold, loud, with clear vocals, and a tight sound overall, such amazing talent from a band that just started in 2014. The guys from Tame Fury aren’t flashy, showy, and they don’t need to be, oh no, they had the sound and the lyrics to make up big time for the lack of movement onstage from the heat. While Michael Mcvey was on vocals doing a great job of singing crystal clear and powerfully; drummer Phred Williams was in the background doing his own little show of throwing and spinning his sticks in time with the beats. The sound is rich, full, and engulfs you into a trance of pure bliss. The melody and beats weren’t all over the place or messy and they kept great time and hitting their marks. Erick Villareals, Brandon Williams, Mark Bankston did a wonderful job backing up Michael. The guys did a bunch of tracks, “Leave It All Behind,” “Brainwashed,” “Masquerade,” “Red Carpet,” “Fallen,” “Gift Of Life,” and “Black As The Fire.” Unfortunately, the crowd wasn’t really giving them love so Michael was trying to convince the crowd to give them some love. I did but I was in the back and they couldn’t hear me. Tame Fury is making a name for themselves by bringing a unique sound, image and attitude and presence to a versed crowd, from the older generation to the younger crowd. I cannot make this review solely about them, but they have a new album coming out and I will be able to review that.

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The next band after Tame Fury is another recent band, Trine. Trine is a trio from Austin, Texas. The band members are Deuce Wanier, Ryan Hegefeld, and Jon Yadon Jr. Trine is a very new band so I don’t know too much about them. They had a whole different act than Tame Fury, the energy is different, the sound, everything, perhaps age is a factor. Trine is more alt rock sounding and it’s in your face, bold, bad boy attitude, and slightly raw power comes from it. The sound is rich and full and just engulfs the listener. It was still daylight when Trine hit the stage but the sun was slowly setting so the lights and the smoke from the stage were more visible. The way the lights were flashing just emphases the beat and the overall sound, and unfortunately the mics and the instruments weren’t doing so well in the Texas heat and humidity so I didn’t truly appreciate their sound as much as I could have, but I did notice they had a sound all their own. Their sound is fresh, new, and all ages and generations could easily appreciate their sound and energy.
After Trine had left the stage the sun was setting and shortly after the stage was all lit up and the smoke was really going when Within Reason hit the stage.

Within Reason consists of Chris Dow, David Koone, and Griffin Zarbourgh. The guys did a few songs from their long list of tracks. Unfortunately, the heat was messing with the sound as well for the guys. However, I did get a decent idea of their sound. They did perform some new tracks from their new album, and the vocals were good, smooth, and not as rough around the edges as I had thought since their sound was smooth, not as rough and edgy as their looks, but all in all it’s not bad at all, just a little unexpected. The band has been around since 2005, their style is leaning on the alternative side of rock which works very well for them. The lights and sounds from the stage were very enticing. They were the perfect choice to lead up to Hinder.

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When Hinder hit the stage, the night truly engulfed us all, the stage was fully alive, and the crowd was ready for them. Hinder had a few technical issues due to the heat but that didn’t hold them back from going full force. The band rocked the stage with a mix of old and new songs and the excited crowd ate it up. The relatively new singer Marshal Dutton has grown on me and he did an amazing job of covering the songs from the first and second albums, and he gave the old songs new life and a surreal sound to them. He has a smooth voice that still has plenty of edge and roughness, but it’s not harsh. Marshall covered the tracks that Austin Winkler had originally done nicely. The guys did a few tracks from their As The Smoke Clears album and it was a seamless transition going from the old tracks to the new and back again. Marshall played a duo guitar solo and it was intense hardcore guitar action. All of the guys on the band performed perfectly and with energy and emotion. Marshall even did an acoustic song from their acoustic album. Some of the songs they played were “Intoxicated,” “Up All Night,” “All American Nightmare,” “Lips Of An Angel,” “Better Than Me,” “Two Sides Of Me,” “Hit The Ground,” “Rather Hate Than Hurt,” “Wasted Life,” “See You In Hell,” “Use Me, and “Get Stoned.” They also did a few songs from their new album The Reign. The guys put on a show to remember and all of the bands, not just Hinder were awesome. The strobe lights matched up to each and every song perfectly and seamlessly. It was one hell of a concert and to those who left early and to the ones who didn’t come out, you just don’t know what you missed out on.

Review by Amy East

 

 

 

 

WINTER CALLING: Faces

Formed in Florida in 2013, the band began as a side project between Wayne Hoefle (percussion, piano, and keys), who was composing film scores at the time, and guitarist Ian Medhurst who was touring with national recording artist John Wesley. They soon recruited Texas-bred bassist Tim Gilbreath, and finally to Los Angeles-based vocalist Chris Hodges. They have released two albums and some new videos for their latest album Faces.

This progressive metal band has a powerful sound that I couldn’t get enough of and had to listen to “Not Like You” over and over again. The song is tight, full of emotion and vocals so strong, Superman couldn’t stop them if he tried his best. Chock full of energy and a chorus that got stuck in my head, I listened to the song at least four times before continuing. “Follow Me Down” has more subtle moments in it, a quieter moment here and there, but not wimping out, just not as in your face, and is another amazing track that makes you amazed at the talent in this band and the ability to create such blistering sounds. “A New Me, A Few Me” has whispered vocals mixed in with growling, angry vocals and it adds a sense of menace to the song that carries onto the music which is played both heavy and more subtle in parts. The song has a creepiness to it that is both scary and sends the hairs on your arms on end with the beauty of it. The whole album is great with so many songs that are sure to become favorites, but these are the ones with videos out and ones that you would be able to listen to first and get an idea of the album, which is a treat to listen to.

This band just became one that I will be playing in my car over and over again, especially now that the weather is nice, I will be rolling down the windows and cranking this up loud. I suggest that you grab a copy and do the same.

http://www.wintercalling.com

https://www.facebook.com/wintercalling

HAIRCUT ONE HUNDRED: Paint And Paint

After a massive first album, Haircut One Hundred were now without a singer, no record label, a backlash against their pop music and in dire straits. This album came out of that difficult time and was not a hit, but has become the holy grail of their music since it has never been on CD, and copies of the album were hard to find. Now we have a remastered and expanded CD that is a welcome addition to your collection.

I loved their first album, playing it on my Walkman over and over again, then waiting, and waiting for more music from them, finally reading in Smash Hits magazine that they had a new single out. I headed out to the record store over and over again in Hamilton to try to buy their music, and finally, I found the single “Prime Time,” with “Too Up Two Down” on the other side. I hurried home, removed the 12″ single from the sleeve while admiring the cool shopping bag that the single was packaged in, and put it on. I was a little bit taken aback that the songs, while good, were so different to the first album, and the singer was a bit different than Nick Heyward, but after a few listens, I was hooked and had to find the album. Well, that didn’t happen for around 5 years because no one carried it and it was not able to be ordered since it wasn’t popular. I did finally find the album on cassette and was happy to finally have it. I played it a lot and eventually hoped to find if on CD, but that wasn’t going to be happening. I was excited to see that Cherry Red was able to get the rights to it and add a second disc of bonus tracks. I put this in my stereo, turned it up and relived the songs that I knew, and enjoyed the way that the album was different than their first one, but still retaining the charm that I loved from the first album. The first disc has the 11 original album tracks plus four related bonus tracks; the 7″ remix of “Too Up Two Down,” the 12″ mix of “Prime Time (Late Night Shopping Version),” and two b-sides “Evil Smokestacking Baby,” and “After It’s All Been Said And Done.” The second disc starts with the 12″ version of “So Tired (Long Slumber Mix),” and its b-side “Fish In A Bowl (Deeper Version).” The next nine tracks were supplied by the band from their own archives. They feature working mixes taken straight from the mixing desk during the recording sessions for the band to listen to at home and work on additional arrangements and brass parts. And at the end, you get four tracks recorded at the BBC for a session on the David Jensen show. They were aired on his show on 13th May 1984.

As you can see, this is an amazing collection of tracks that give the fans an idea of where the band was going and what they were trying to accomplish. Sadly, no matter how good and poppy the album was, fans didn’t buy it and they broke up, but at least we have a collection of songs that hold up and add to the memory of a great band. The booklet has memories of the album and the recording process and was a great read. The added music, along with the remastering has made this a dream come true for fans.

https://www.facebook.com/Haircut-One-Hundred-545660278926365/

http://www.haircutonehundred.net/

https://www.facebook.com/CherryRedRecords/

https://www.cherryred.co.uk/

DIVINE: Jungle Jezebel

Divine….really, what more needs to be said? It’s been remastered, it has remixes, a great booklet with lots of info, and it’s about time.

I first heard Divine in the early ’80s, and it was “Love Reaction” that was my introduction to his music. As soon as I heard it, I knew that this was someone I was going to have to get more music from. The obvious New Order sound, the deadpan vocals…..awesome! I taped the song off of the radio and down to the record store I went. I found a few “12 singles and took them home and loved them as well. Now I have not only those singles and their remixes in one collection, but it sounds even better than before. The songs are still terrific, “Shoot Your Shot,” “Native Love,” which I played to death when I was a DJ, and “Shake It Up.” The songs still make me want to dance and now, having the remixes remastered and on a second disc, I can get more of the music I missed and can hear them finally. This is a collection that will take you back in time and still make you jump up and dance, probably more than you might be able to do anymore…lol.

I am so happy that an album that was hard to find back in the ’80s has now been made available again, and is even better with the improved sound and the second disc of remixes. Grab a copy and make Divine proud of your impeccable taste.

https://www.facebook.com/DivineOfficialPage/

http://divineofficial.com/

https://www.facebook.com/cherryredrecords

https://www.cherryred.co.uk/

GHOST COLOR: American Book of the Dead

This Sacramento, CA trio has released a new four song E.P. of heavy, but melodic alternative rock that has a thick shoegaze drone to it. They have released a previous E.P. and know that all bands come to an end, but they really want to get their sound and vision out before that day happens.

With soaring vocals and some distortion as the predominate sounds, this band adds so much into the mix that you get drawn in and they lift you up and then bring you back down to earth again with the slower, shoegaze effects. The songs are catchy, short enough to not overstay their presence, but long enough to give you everything that you want. The band has power, energy and more than enough talent to get into your ears and make you smile while listening to this EP over and over again. The vocals are strong and have so much emotion emanating that it grabs your attention right away, this is not some wimpy vocalist, it’s a guy that can wail and then smooth it out again. The band plays with so much power and yet adds subtle sounds into the mix effortlessly.

This was a definite treat with four tight and thrilling songs that will keep garnering them more fans and hopefully a career that will last for a long time. They say that they know that all bands come to an end, let’s hope that they stay together and keep putting out great music.

http://ghostcolormusic.com/

https://www.facebook.com/GhostColor

https://ghostcolor.bandcamp.com/album/american-book-of-the-dead

Also posted on:

http://ripplemusic.blogspot.com/2017/06/ghost-color-american-book-of-dead.html

SAINT BLASPHEMER: Theotokos

This band from Santa Ana, CA is comprised of Thomas Monroe (vocals), John Castellon (guitar), Steve Shell (bass), and Steve Ybarra (drums). They’ve been playing shows since February 2016 and have two releases out now with Theotokos being the newest.

The band has a ‘90s alternative sound to them, but not enough to make them sound retro or tired, more like familiar, which is good since being a new band, having that sound, makes you think that you’ve known them a long time. They have a very sexy and cool swagger to their music, kind of walking in and knowing that they’re right and about what they’re doing, not that stupid “swag” that kids think is hip nowadays. The band is tight, the vocals are clear, crisp and full of energy and don’t overpower the music, matter of fact, everything is mixed perfectly and has more than enough juice to light up a city, not to mention your ears. The mix of alternative and metal work together far better on here than on most of the other albums that I’ve heard try to mix it up; usually, it becomes a battle of which one takes over the song/album, but these guys temper the mix perfectly. The more that I listened to this album, the more that they reminded me of Jane’s Addiction, mostly in the music, not the vocals so much, but not to the point of being copyists.

If you have a soft spot for ‘90s music, or just want to hear a band that has their shit together and can play the hell out of their instruments with feeling and conviction, then you need to grab this one. If they keep on this path, there is no doubt that people will catch on and they will become powerhouses.

http://www.saintblasphemer.com/

https://www.facebook.com/saintblasphemer/

https://saintblasphemer.bandcamp.com/

Also posted on:

http://ripplemusic.blogspot.com/2017/06/saint-blasphemer-theotokos.html